Shelf Unbound: You’ve subtitled your book “the immigrant artist at work.” Is being an immigrant equal in weight to being an artist in terms of …
Shelf Unbound: You’ve subtitled your book “the immigrant artist at work.” Is being an immigrant equal in weight to being an artist in terms of …
Shelf Unbound: You take a chapter in Asian American history and break it down into its human elements and stories. Which came first for you …
http://www.twodollarradio.com Shelf Unbound: The OrangeEats Creeps is a relentless existentialist nightmare told from the point of view of a nameless female hobo vampire junkie. I’ll …
Shelf Unbound: What first planted the seed of Tinkers in your head? Paul Harding: My maternal grandfather’s stories about growing up in Maine. Like George …
Shelf Unbound: What was the genesis of the story “Miracle Boy”? Pinckney Benedict: “Miracle Boy” came about primarily as an evocation of a couple of …
Shelf Unbound: Why did you want to tell the story of your grandmother’s drug and alcohol addiction, given that, as you said in a recent …
In Yoga for Freedom, John P. Vourlis relates the experiences of twenty volunteers who travel to Nepal with an organization called the Imagine Foundation to …
Wool I was late to the game in reading Wool, widely written about as one of the most successful self-published books, but count me as a …
by Neil de la Flor, Maureen Seaton, and Kristine Snodgrass Three pals etched and bonding, two laughing, one coy. Jaunty, jauntier, and propped up with …
http://josslandry.com Emma twisted her head side to side. She moaned, powerless to change her fate as an unfriendly force dragged her and pulled her along …
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