Vs. Death Noises
by Marcus Pactor
In the final story of Marcus Pactor’s Vs. Death Noises, a man discovers a single hair in his bathroom and obsesses over the shape it has taken. The problem, he realizes, is that geometry can’t solve his conundrum because geometric definitions are “concerned with perfect impossibilities” whereas the world we live in is “a world of approximations.” The human experience, in other words, only translates to “approximate forms, approximate phrasings, approximate feelings.”
To put it another way, we’ll never communicate perfectly with one another. Something is always lost in the translation from the lived experienced to the written or spoken word no matter how hard we try. It’s a theme that Pactor explores throughout this collection in a way that allows him to explore the exquisite agony of the human condition. Simultaneously, Pactor strives to uncover the hidden emotions that make us human—and to shed light on species of pain and suffering that are frequently difficult to describe. Hence, perhaps, Pactor’s fondness for the downtrodden.
As the stories in Vs. Death Noises all indicate, we’ll never achieve geometric perfection in our efforts at connecting with each other, but Pactor’s fiction offers hope that we can all find solace in trying.
—Marc Schuster,
http://www.smallpressreviews.wordpress.com
Shelf Unbound Contributing Editor Marc Schuster is the author of The
Grievers, The Singular Exploits of Wonder Mom and Party Girl, Don DeLillo, Jean Baudrillard, and the Consumer Conundrum, and, with Tom Powers, The Greatest Show in the Galaxy: The Discerning Fan’s Guide to Doctor Who. He is the editor of Small Press Reviews, and his work has appeared in numerous magazines and journals. Marc teaches writing and literature courses at Montgomery County Community College in Blue Bell, Pennsylvania.